The Madrigal de Paris recording (the one with the gold mask) is still available on Spotify for those who were asking on Tuesday.
The LPO recording is also a good listen. It’s sung more the way it’s scored, with 4 true soloists and a backing choir and the solos done by the parts in the score where the French version has much of it allocated to solo soprano. Sounds quite different. The full choir entries in the Kyrie, for example, are really powerful. If you just listen to one bit, listen to the second half of the Dies Irae (about 5 minutes in). The offbeat descending scales are accented brilliantly. It sounds like a limping Inspector Clouseau leading into the sublime Quid sum miser harmonies. My only criticism of this recording is that the speed of some of the movements suggest that the conductor had somewhere he urgently needed to be. The Rex Tremendae on this recording is over a minute quicker than in the Madrigal one. Then he seems to regret his haste and takes the Oro Supplex reallllllyyyyyy slowwwwwlllllly.